Edgar Degas - The Dancing Class
Size Guide
Choosing the right size
Every painting on our site comes in a few standard sizes, shown as buttons above the Add to Cart button on each product page. Here's a quick way to picture how each one fits your wall.
- Small / desk & shelf scale (around 12x24 to 16x24 inch): Great above a desk, nightstand, or as part of a gallery wall grouping with other pieces.
- Medium (around 16x36 to 24x36 inch): A strong single statement piece above a sofa, bed, or dining table when paired with the furniture below it.
- Larger formats: Where offered, these work best as the focal point of a room with 8+ ft ceilings or a long wall.
As a rule of thumb, wall art should span roughly two-thirds the width of the furniture it hangs above (for example, over a 6 ft sofa, look for a piece 4-5 ft wide, or a grouped arrangement that adds up to that width).
Which format should I choose?
Poster Art Print is printed on thick satin photo paper with a 1/8" border, shipped rolled — our most affordable option, ready for you to frame yourself.
Canvas Art Print is printed on poly-cotton canvas with a 2" white border, sealed for durability, and shipped unstretched and rolled — ideal if you want to frame it yourself or have it stretched locally.
Gallery Wrapped Canvas is stretched over a solid wood frame and arrives ready to hang, no framing required — the closest thing to walking a piece straight out of a gallery.
Each product page shows the exact printed dimensions for every size we offer that painting in, along with photos of it displayed on a wall for scale.
About this painting
The Dancing Class, painted around 1870, is among Degas's earliest ballet paintings and shows the dancer Joséphine Gaujelin posing at center while a violinist — a figure Degas would later drop from his ballet scenes — accompanies the class. The dancers' somewhat stiff, self-conscious poses reflect Degas's reliance at this stage on preparatory studies rather than direct observation of a working class, an approach he loosened considerably in later Opéra scenes. First shown in 1874, it introduced motifs — the barre, the mirror, the bare studio floorboards — that recur throughout his ballet series and is now in the Metropolitan Museum of Art.
- Created: c. 1870
- Medium: Oil on wood panel
- Collection: Metropolitan Museum of Art, New York
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