Artemisia Gentileschi - Judith Slaying Holofernes
Size Guide
Choosing the right size
Every painting on our site comes in a few standard sizes, shown as buttons above the Add to Cart button on each product page. Here's a quick way to picture how each one fits your wall.
- Small / desk & shelf scale (around 12x24 to 16x24 inch): Great above a desk, nightstand, or as part of a gallery wall grouping with other pieces.
- Medium (around 16x36 to 24x36 inch): A strong single statement piece above a sofa, bed, or dining table when paired with the furniture below it.
- Larger formats: Where offered, these work best as the focal point of a room with 8+ ft ceilings or a long wall.
As a rule of thumb, wall art should span roughly two-thirds the width of the furniture it hangs above (for example, over a 6 ft sofa, look for a piece 4-5 ft wide, or a grouped arrangement that adds up to that width).
Which format should I choose?
Poster Art Print is printed on thick satin photo paper with a 1/8" border, shipped rolled — our most affordable option, ready for you to frame yourself.
Canvas Art Print is printed on poly-cotton canvas with a 2" white border, sealed for durability, and shipped unstretched and rolled — ideal if you want to frame it yourself or have it stretched locally.
Gallery Wrapped Canvas is stretched over a solid wood frame and arrives ready to hang, no framing required — the closest thing to walking a piece straight out of a gallery.
Each product page shows the exact printed dimensions for every size we offer that painting in, along with photos of it displayed on a wall for scale.
About this painting
Judith Slaying Holofernes depicts the biblical widow Judith and her maidservant Abra pinning the Assyrian general Holofernes to his bed and cutting through his throat, blood spattering Judith's sleeves as she braces her forearm against his face. Artemisia Gentileschi painted at least two versions of this composition: an earlier, more visceral canvas now in the Museo di Capodimonte in Naples (c. 1612-13), and a later, more compositionally controlled version in the Uffizi Gallery in Florence (c. 1620), made for Cosimo II de' Medici. The Florence canvas is the more widely reproduced and exhibited of the two, and it reportedly so unsettled its first Florentine viewers that it was initially withheld from public display, with Galileo Galilei said to have helped Gentileschi secure payment for it.
- Created: c. 1620
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