Edouard Manet - The Balcony, Musee d'Orsay
Size Guide
Choosing the right size
Every painting on our site comes in a few standard sizes, shown as buttons above the Add to Cart button on each product page. Here's a quick way to picture how each one fits your wall.
- Small / desk & shelf scale (around 12x24 to 16x24 inch): Great above a desk, nightstand, or as part of a gallery wall grouping with other pieces.
- Medium (around 16x36 to 24x36 inch): A strong single statement piece above a sofa, bed, or dining table when paired with the furniture below it.
- Larger formats: Where offered, these work best as the focal point of a room with 8+ ft ceilings or a long wall.
As a rule of thumb, wall art should span roughly two-thirds the width of the furniture it hangs above (for example, over a 6 ft sofa, look for a piece 4-5 ft wide, or a grouped arrangement that adds up to that width).
Which format should I choose?
Poster Art Print is printed on thick satin photo paper with a 1/8" border, shipped rolled — our most affordable option, ready for you to frame yourself.
Canvas Art Print is printed on poly-cotton canvas with a 2" white border, sealed for durability, and shipped unstretched and rolled — ideal if you want to frame it yourself or have it stretched locally.
Gallery Wrapped Canvas is stretched over a solid wood frame and arrives ready to hang, no framing required — the closest thing to walking a piece straight out of a gallery.
Each product page shows the exact printed dimensions for every size we offer that painting in, along with photos of it displayed on a wall for scale.
About this painting
The Balcony (1868–69) shows three figures on a Parisian balcony behind vivid green wrought-iron railings: the painter Berthe Morisot seated in white in the foreground, the violinist Fanny Claus standing beside her, and the painter Antoine Guillemet behind them, with a fourth, barely visible figure in the shadowed interior. Inspired by Francisco de Goya's Majas on a Balcony, the flat green railings and the sitters' disconnected, outward gazes struck contemporary critics as cold and enigmatic when the work appeared at the 1869 Salon. It marks Berthe Morisot's first sitting for Manet, shortly before she became his sister-in-law. The Balcony has been part of the Musée d'Orsay's collection in Paris since 1986, having entered the French national collections through the Gustave Caillebotte bequest in 1894.
- Created: 1868-1869
- Medium: Oil on canvas
- Collection: Musée d'Orsay, Paris
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